Pan, God of Wilderness, in Boeotian Landscapes: Fear, Laughter and Coming of Age

Pan, God of Wilderness, in Boeotian Landscapes: Fear, Laughter and Coming of Age

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This paper treats Pan in Boeotia on the basis of the archaeological record.Although often seen as a pastoral god, it is argued that his presence in grottos and in the Kabirion is due to his being an interstitial deity of the wilds and for this reason an overseer of maturation, a marginal period characterised by wildness.Pan appears mostly in terracottas that were found royal nomadic 5413 rug in the Heliconeian cave of the Leibethrian Nymphs and in the Theban Kabirion.

Although commonly seen as offerings of shepherds, we may associate them with the status of males who dedicated Pan figurines in anticipation of a safe transition to adulthood, or in thanks for its achievement.Regarding Boeotian painting, one artist juxtaposes a young and a mature Pan on the same vase in order to picture the transformation of the male body when coming of age.Pan is markedly popular in Kabiric art which favoured grotesque figures in comic scenes.

His appearance may be looked at through the prism getpureroutine.com of alterity and ritual laughter that must have been associated with liminality and transitions at this cult place.